![(Fake) The Facts by dieb13, Gustafsson & Siewert - Editions Mego [DEMEGO023]](https://media.kudosdistribution.co.uk/demego023/800/cover.ki)
(Fake) The Facts
A 3 track avant garde jazz album (44m 24s) — released November 21st 2011 on Editions Mego
dieb13: Turntables, Cigar Box
Mats Gustafsson: Soprano, Slide and Tenor Sax, Live Electronics
Martin Siewert: Guitars, Ring Stinger, Electronics
Recorded at Garnisongasse 7 / Vienna, March 2011 and Rhiz / Vienna, April 2011
Mixed by Dieter Kovacic and Martin Siewert
Mastered by Martin Siewert
Cut at Dubplates & Mastering, Berlin, September 2011
Cover art by Dieter Kovacic and Billy Roisz
After the runaway success of the Akita / Gustafsson / O'Rourke LP , 'one bird two bird' (DeMEGO 016), Swedish sax legend Mast Gustafsson returns to Editions Mego with another storming collaboration. Now resident in Vienna he teamed up with experimental artists dieb13 and Martin Siewert for a live and studio session. (Fake) The Facts is the result.
A dense fog of sound coming from all directions, but whereas the general impetus is a full on attack the trio do find restraint to create a deeper dynamic and open the spaces between the walls of noise.
Mats Gustafsson: Soprano, Slide and Tenor Sax, Live Electronics
Martin Siewert: Guitars, Ring Stinger, Electronics
Recorded at Garnisongasse 7 / Vienna, March 2011 and Rhiz / Vienna, April 2011
Mixed by Dieter Kovacic and Martin Siewert
Mastered by Martin Siewert
Cut at Dubplates & Mastering, Berlin, September 2011
Cover art by Dieter Kovacic and Billy Roisz
After the runaway success of the Akita / Gustafsson / O'Rourke LP , 'one bird two bird' (DeMEGO 016), Swedish sax legend Mast Gustafsson returns to Editions Mego with another storming collaboration. Now resident in Vienna he teamed up with experimental artists dieb13 and Martin Siewert for a live and studio session. (Fake) The Facts is the result.
A dense fog of sound coming from all directions, but whereas the general impetus is a full on attack the trio do find restraint to create a deeper dynamic and open the spaces between the walls of noise.
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